From September 7, 2024, to January 5, 2025, DAS MINSK in Potsdam, Germany, will present a retrospective exhibition titled "Noah Davis." This groundbreaking showcase marks the largest institutional survey of the late artist's work, offering an extensive look at his creative journey and contributions to contemporary art. Featuring over 50 pieces, the exhibition spans Davis’ career, highlighting his ability to weave narratives that reflect the complexities of Black life and culture.
Curated chronologically, the exhibition begins with Davis' first exhibition in 2007 and extends to his untimely passing in 2015. It includes previously unseen paintings, works on paper, and sculptures, emphasizing his innovative approaches to art history and figurative painting. Known for his often enigmatic depictions of everyday moments—such as figures diving into swimming pools or engaging in communal activities—Davis’ work is characterized by a deep empathy for humanity and a keen observation of social dynamics.
Davis' artistic practice was rooted in a desire to represent the people around him, drawing inspiration from a myriad of sources including personal archives, flea market photography, film, and literature. This diverse range of influences allowed him to create a body of work that resonates with both realism and dreamlike qualities, often exploring themes of joy, melancholy, and existential reflection.
A notable aspect of the exhibition is its focus on the artist’s commitment to challenging the traditional art market. Alongside his wife, Karon Davis, he co-founded The Underground Museum in Los Angeles, an institution dedicated to making art more accessible to the community, particularly in historically Black and Latinx neighbourhoods.
The retrospective at DAS MINSK will also feature the C& Center of Unfinished Business, a space for dialogue and exploration surrounding the themes present in Davis’ work. This exhibition not only honours Noah Davis' legacy but also serves as a reminder of the transformative power of art in addressing social issues and fostering community engagement.
As the exhibition travels to prestigious venues such as the Barbican in London and the Hammer Museum in Los Angeles, it promises to inspire a renewed appreciation for Davis’ contributions to contemporary art and the ongoing dialogues surrounding representation and identity in the visual arts.
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