Imagine growing up surrounded by art that wasn't just on the walls, but woven into the very fabric of Lagos. That was the world of Mrs Rayo Anthonio, daughter of the legendary Yusuf Grillo.Yusuf Grillo's story is one of dedication and quiet revolution.
Born in the vibrant Brazilian Quarters of Lagos in 1934, Grillo was dedicated to training streams of visual artists at the Yaba College of Technology (YABATECH) where he led, inspired and built the art school of the Yaba College of Technology and did this for many years. He was a mentor, a bridge-builder, and even one reason Yinka Shonibare, the celebrated British-Nigerian artist, pursued art instead of a traditional career path in medicine, law, or engineering.
As part of the 'Zaria Rebels ( Zaria Art School)', he challenged colonial influences, forging a new artistic language – "Natural Synthesis" – that celebrated Nigerian heritage alongside European techniques. The "Natural Synthesis" philosophy became Grillo’s guide for exploring his fascination with rich hues, particularly the captivating blues that dance across his canvases.But Grillo wasn't just about color. He found inspiration in everyday life – the bustling streets of Lagos, the whispers of Yoruba beliefs, and the captivating melodies of music. His figures, often portrayals of graceful Yoruba women and musicians, are a testament to this.
Unlike some artists, a completed piece wasn't the goal for Grillo. The journey, the conversation between artist and canvas, was what truly mattered. Each brushstroke–a conversation between him and the canvas, a constant dance between conscious intent and the whispers of the subconscious.
His dedication was legendary. He'd work on multiple paintings simultaneously, revisiting them over time. He never signed them, considering them forever evolving dialogues. Grillo's artistic influence transcended the canvas, walls of museums and galleries. He also had large stained-glass creations and monumental public artworks that continue to grace Lagos and other parts of the world, including the stained-glass piece at St Dominic’s Catholic Church, and the pillar at the headquarters of First Bank Nigeria.
Although Grillo sadly passed in 2021, in this Art Report Africa interview with Mrs. Rayo Anthonio we get to meet Yusuf Grillo, the artist, educator, administrator, collector and disruptor who became a cornerstone of Nigerian contemporary art.
IN CONVERSATION WITH RAYO ANTHONIO...
Q: What are some of your favourite memories of Yusuf Grillo as an artist and as a father?
A: As an artist and father, Yusuf was deeply intertwined. My fondest memories include accompanying him to his studio, where he painted while we engaged in conversations. He loved intellectual sparring and enjoyed testing our intellects, even as children. He was also a fun parent, taking us swimming, to cinemas, and to see plays. These experiences broadened our horizons and instilled a love for the arts. He was an educator at heart, always eager to teach and share his knowledge.
Q: Are there any untold stories about your father that you would like to share through the museum?
A: Yusuf was a philosophical thinker, always exploring the intersection of the spiritual and the physical. One of his notable works depicted the dichotomy of spiritual devotion and earthly distractions. He was fascinated by the complexities of faith and existence, often delving into risky theological discussions. His philosophy and deep thinking were integral to his art, and these aspects of his life will be highlighted in the museum to give people a deeper understanding of the man behind the art.
Q: What was Yusuf Grillo most passionate about apart from art?
A: While art was undoubtedly a significant part of Yusuf Grillo's life, he was equally passionate about theology and the concept of God. Yusuf was a broad thinker who didn't confine himself to one particular form or belief system. Raised as a Muslim, he also had a deep knowledge of Christian scripture, having attended Christian schools. His theological interests led him to form the Organization of Islamic Christian (OIC), a group where he brought together friends from different faiths. Every year, during Salah, he would distribute a pamphlet that included discourses from the Quran or the Bible, accompanied by his own reflections. These pamphlets served as invitations and discussion topics during the parties he organised during Salah.
Q: How do you think he would feel knowing there is a museum dedicated to his works?
A: Yusuf was very self-effacing and would likely shy away from such recognition. However, knowing that the motive behind the museum is to continue his work and inspire future generations would align with his values. The museum is not just about celebrating his achievements but also about fostering a creative and educational space for young artists.
Q: What are your plans for the museum to ensure that Yusuf Grillo's legacy continues?
A: We have several plans to keep his legacy alive. The museum will host exhibitions, talks, and events related to art and creativity. It's open to young and established artists who can use the space for their own exhibitions. We recently had a successful Children's Day event with a sip and paint activity, and we plan to host more such interactive sessions.
Q: Can you tell us about any upcoming events at the museum?
A: We are excited to announce an upcoming exhibition, its Yusuf Grillo like you have never seen before. This exhibition will showcase works by So, we're planning an exhibition of works by the artist which have never been seen by the public and is scheduled for August to mark the third anniversary of his passing. It will be a significant event that celebrates his artistry and continues his legacy. The works are the conceptual designs of his larger scale works. They are the original conceptual sketches, watercolor, poster color paintings for various large commissioned Mosaic Murals, Church stained glass windows, and other works. The exhibition is themed: Yusuf Grillo-Like you never seen.
Q: How do you hope the museum will position Yusuf Grillo’s memory in the future?
Through the museum and these initiatives, we aim to ensure that Grillo's contributions to art and his philosophical insights are remembered and continue to inspire future generations.
Q: What are your hopes for the museum's impact on future generations of artists?
A: My hope is that Yusuf Grillo's legacy continues to inspire and educate future generations. It's crucial that his name and contributions to art are remembered, especially by the younger generation. There's a concerning trend where the names of influential artists fade quickly. For instance, many young art students today are unfamiliar with past greats likeTai Solarin. Through the museum, we aim to ensure that Yusuf Grillo's impact on art education and his philosophical approach to art are preserved and appreciated.
Yusuf Grillo museum, reminds us of how important it is to celebrate our own and the great things they have done even after they are gone.
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